"Garrick Ohlsson joined the orchestra for a solid performance of Beethoven's Piano Concerto No. 4. Ohlsson merged a luxuriant musical imagination with an absolute technical command. His playing was at once big and bold, solemn and poetic." The Washington Post
“Cool, clean, poetic, the pianist’s pianist turns it on.” The Independent
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| Single Tickets starting at $29 Purchase online at www.carnegiehall.org CarnegieCharge: 212-247-7800 In person at the Carnegie Hall box office 57th Street and Seventh Avenue |
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SCHUBERT |
Symphony No. 4 “Tragic” |
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BERG |
Lyric Suite (arr. for chamber orchestra) |
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BEETHOVEN |
Piano Concerto No. 4 in G Major, Op.58 |
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| Though its title suggests a plunge into despair, Schubert’s “Tragic” symphony provides a playful opening for this program, even in its minor key. Berg’s Lyric Suite, originally scored for string quartet and expanded for full string orchestra, will showcase Orpheus’ lush string sound. Berg used this twelve-tone piece as a love letter to his mistress by combining his initials with hers in musical notation into a motif weaved throughout the work. Garrick Ohlsson, a favorite collaborator of Orpheus whose “playing [is] at once big and bold, solemn and poetic” (Washington Post), returns for Beethoven’s Piano Concerto No. 4 in G major. The interaction between the piano and the unison strings in the second movement of this masterwork is reminiscent of the Greek Orpheus taming the furies, a vivid depiction that will surely be on full display. Visit our touring page to learn more about where we'll else we're taking this program on October 13 and 15 and how to buy tickets. |
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In 1970, Garrick Ohlsson dazzled the world by becoming the first and so far only American to win the Chopin Piano Competition. With a vast repertoire at his command, Ohlsson plays with the great orchestras of the world. In this SundayArts profile, Ohlsson speaks about Beethoven, Mozart, and where the two composers meet. |
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