Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Name that track! It’s tres French…
Live from Carnegie Hall – April 1, 2008. The entire broadcast can be accessed here…
To all of you who have contributed your comments and questions about Project 440 thus far, thanks! It’s great to see so many thoughtful and wide-ranging opinions. In response to one question—whether Project 440 is a variation on “American Idol” or reality TV at large—we’d like to offer a note of clarification.
It is certainly not Orpheus’ intent to create classical music’s response to “American Idol.” We are not asking for votes or counting comments. There will be no “save” for the candidate with the most positive adjectives. Actually, the four commissioned composers will be determined by a Selection Committee of Orpheus musicians, executive staff, and previously commissioned composers.
So why are we asking to hear from you? Why not decide on these commissions behind closed doors, as usual? First, we want to showcase more composers—it’s just more interesting to learn about sixty people and their music than four. Second, we want to open up the process and find out what you think—about these composers, contemporary music at large, accessibility, originality, etc. It’s you, after all, who will be listening to the outcome. What you say here will be brought to the Selection Committee as the process continues. And yes, contrary to what happens on reality TV these days, we might end up making an unpopular decision. So by all means, continue the commentary; just don’t expect a vote!
We certainly didn’t conceive of Project 440 as a popularity contest in the manner of American Idol, Dancing with the Stars, and what not. What we are aiming to do is to make an informed decision in selecting the composers that we commission, taking your opinions into account along the way. And yes, contrary to what happens on reality television these days, we might end up making an “unpopular” decision for art’s sake.
But in the mean time – please do check out www.orpheusproject440.org and select a few composers to listen to. We’re hoping that you’ll be inspired by what you hear and that you’ll let us know what you think.
Check out this video profile of Augusta Read Thomas done by New Music Box: The Web Magazine from the American Music Center.
Gusty, as she is fondly referred to by friends, is one of the most prolific composers of our times – and we are please to briefly mention that we have partnered with her in celebrating the centennial anniversary of Mahler’s death in 2011. We’re planning something BIG!
The title is “White Fire of the Stars, Songs of Eternity”